CIVIL WAR :"The Last Full Measure" ,Review, Napalm rec/s,2016
- Ulysses Goner
- Mar 23, 2018
- 3 min read
Updated: May 21, 2018

Tracklist Road to Victory Deliverance Savannah Tombstone America A Tale That Never Should Be Told Gangs of New York Gladiator People of the Abyss The Last Full Measure Strike Hard, Strike Sure Aftermath
It is known that Sabaton has as topics historical circumstances from historical past the band's trait is overwhelmingly pompous within high-ranking verses ,which creates saturation to audiences and generally make band's listeners to fed up.......Known is that true metal goes in cheap atmosphere, and has its worthless against trend.So by four members made an agreed move or a rigged transfer to nowhere, problem was this team wantnted to create something more modern on historic power metal genre, as also something more flexible single thematic music but more human touch -Band now counts five guys, but last year was seven pieces band
Its sound and style is much like two previous , the "Killer Angels" of 2013 and "Gods and Generals" of 2015 same riffs, same solos, the same themes regarding the American Civil War of 1861 to 1865, but basically the songwriter takes describes and recount,then, from events that took place in the "cotton States" those days during the war, and of course a lot of innuendoes within lyrics and concerns against lumpen social groups of that era who supported "slavery" status.
Main character and album's gravity center the singer Nils Patrik Johansson, looks like in between Dio and Byff Byfort outfit (Coming from Astral Doors) arises as "epic air maker". First track in line the "Road to Victory",a speedy one,melodic to the bone with good hooks,also powerful chorus and catchy guitars,perfect for band's demonstration,followed by the second "Deliverance" a rapid fire track, within excelent choruses, rhythm's transitions many times,guitars are catchy next is "Savannah" a melodic, quite heavy in shallow theme ,more pop than the others, the syntheseiser covers every instrument, pace is not so speedy,all guitars are catchy, emits an exaltationed feeling at the level of "Nighwish",lyrics theme gives pretty sense of epic, then comes the "Tombstone",a Weird in potential aggressive airsonic,but catchy track,prelude has some collective leap chorus ,kinda something like reggae, has sharp and unpredictable articuleted tempo transitions. Fifth track is "America" a slow one a mid tempo anthemic (about 19th century emigration), in grandioso atmosphere,full of syntheseiser. Strange is that even and the band comes from frozen Sweden has for main matter united states stuff, from america's small past,in cocrete history circle, seems that the guys aim at united states audiences and money and fame from gigs due to american ball rooms and chambers,(i figure out?)cant explained all this civil conflict literary material from swedes just for a vice"i want to rock yankee nation" Better song the "A Tale That Never Should Be Told": a magnificent in mid tempo somehow slowmoove ,has constant slow rhythm,grave one,touches the feeling of nostalgia,has anthemic melody ,the syntheseiser lie above every instrument, slow grimy guitars in barium riffs do follow rhythm section beat, the chorus stands out,each one repeated total four times,poem's issue regards some reconciliation about, between these two shores through some capitulation and both to disarmament so would get some peace. ++ So its sounds some kind of Europower, like Orden Ogan,like Gama Ray and many many others,also some pop power metal choruses reminds Nightwish, from a civilized mature band, not a company of young musicians trying to make carreer.
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